"Hope is a thing with feathers"...
A very wise acting teacher of mine, Richard Pinter, said this quote to me in my second year at The Neighborhood Playhouse School of the Theatre. I never really understood it until now.
I grew up in a very supportive loving environment at home. My parents both told me to work hard and follow my dreams, and so I did. I knew that becoming an actor would be a life filled with ups and downs and plenty of rejection, but I was ready for that. I loved the ride. I loved the unpredictability and the ever changing schedule. I was prepared for the "rejection" of not being cast in different productions, shows, commercials, etc. I was prepared for the instability financially and was prepared to work hard at a "Joe Job" to pay the bills...for my art.
What I was not prepared for in the weird but wonderful world of acting is the heartbreak you feel when you think you've gotten your foot in the elusive "door"...when you actually GET THAT PART that you think is going to change things but then somehow things fall through the cracks. I worked hard on countless projects that didn't go very far (AKA didn't even get the opportunity to be seen) and my heart hurt. I was "cast" in several "feature films" that never panned out. My agent never came to a show I did all summer that I was very proud of and then decided to let me go off the roster. I felt like a failure and frankly a fraud. I wasn't an actor, I was trying and not succeeding at being one. I started to doubt my talent and whether my life in acting was going anywhere. I felt the years flying by and my career wasn't even close to where I wanted it to be. The HOPE that I once felt so strongly, seemed like a broken promise that I had made to myself. I felt as though I was stuck in an abusive relationship with my acting career and so I lashed back at it to try to gain control.
I started to focus on my business. I stopped hanging out and chatting with actor friends. I stopped reading plays. I stopped looking for a new agent. I stopped acting...and for a while, it felt right.
I tried to convince myself (and my ever supportive family) that this was the right move, that I had found the natural transition from actor to entrepreneur and that my life was unfolding in a totally satisfying way. This state of mind which I believed to be genuine began to fade.
The dissatisfaction I felt in my life artistically crept up on me slowly but steadily. It happened so slowly in fact that I didn't even realize what was happening...I was just suddenly more irritable, less interested in my business, less motivated to exercise and I just sort of felt..bleh. Many months later I was asked to do a corporate acting gig (I play a fun character in a "workplace investigation" to help people train for similar situations in their work environment). I prepared for it, executed it well, and I felt great. My energy was better, my motivation was back, and I felt more like me. I pulled out my favorite Stars album on the drive home and blasted it with a huge smile on my face. It was the first time I had tapped into my "actor self" in almost a year.
Everything I saw and read suddenly reminded me of acting, and I felt something in my gut that I had never felt this deeply before...REGRET.
Classmates and former acting coworkers suddenly seemed to be popping up in Feature Films, Broadway shows and even TV Commercials on the daily. My Instagram was flooded with other peoples posts about 'following your dreams' and quotes like: 'ignoring your passion leads to slow death' etc etc. It was as though the universe was giving me a little nudge, a little reminder that it's not too late.
Some people think it is such a simple decision...just get back at it. Balance your business (which oddly enough is doing better than ever now) with your acting schedule and just make it work. Give it another go. Other people think it's crazy to throw any more of my time at a career that didn't give me the financial or emotional stability that I did, in fact end up craving more and more.
Everyone has a suggestion, a point of view and both sides are valid. I just have to figure this out for myself. Is there some sort of magical balance between the business and acting that I can manage or is that a pipe dream? Am I going to hit my 30th birthday as an actor/entrepreneur or just an entrepreneur?
I don't know the answer yet. I just know that I need to make a change because life is too short and artistically, I feel a little starved. Whether this means teaching acting to clients kids once a week or jumping in with both feet and getting a new agent, I'm just not sure yet.
xo Allie
Showing posts with label Richard Pinter. Show all posts
Showing posts with label Richard Pinter. Show all posts
Friday, 29 August 2014
It's Been a While
Labels:
acting,
actors life,
career,
Career Crisis,
Don't give up,
film,
I miss acting,
I quit acting,
inspiration,
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The Neighborhood Playhouse,
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Toronto Actor
Friday, 22 June 2012
#Whoisdorothy? Not me, but that's ok
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Heather Maitland (right) and I: "Who is Dorothy?" in rehearsal for "Queen Marie" the day before the open call. |
The few weeks before my open call for Dorothy, I had received calls and emails from all over the place making sure I knew about the audition, and encouraging me to attend. I even got a call from the assistant at my Dentists office! Amazing. When I learned that the first round was taking place on a Monday, which is currently my only day off of rehearsals for Queen Marie, I knew I had to do it. I though to myself, "hey, it can't be worse than a cattle call for a Broadway show, right?"
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The lineup at Front and John Street at 7am! |
Lucky for me, Heather Maitland, the phenomenal actor playing Nella in Queen Marie, also wanted to attend the audition. We helped each other prepare, and made a pact to stick together.
At 7am when we arrived in line, it was already twisting around the block. Dorothy hopefuls of all shapes and sizes waited nervously for their chance to perform. When the registration began at 9am, everything seemed to happen in a flash. Before I knew it I was standing in a tiny room singing my heart out to a very friendly lady. She asked me to wait in the hall afterwards and I tried to steady my breathing/heart-rate! After a few tedious minutes I was told that was all they needed from me today. Sigh.
I couldn't help but feel a little disappointed. I was so excited to audition for Stephanie Gorin and didn't make it to the round where I could do so. I looked at the lineup of girls who had made it past the first audition, anxiously awaiting their turn to earn a Golden Ticket. These girls were adorable, all dressed in their own twist of a perfect Dorothy outfit. They were beaming. And they were all very young...ie up to ten years younger than me! I left the audition hall and met back up with Heather who unfortunately had the same fate as I did.
As we walked out of Glen Gold studios and saw hundreds of potential Dorothy's waiting in line, I had a bit of an epiphany. There was something different about this open call. It wasn't just that the people working at the audition were friendlier and more helpful than I have ever experienced in such a high stress scenario as this, and it wasn't just that I had the benefit of being with a buddy who helped me keep my head on straight. The difference was this: the rejection was a brief little blow, and then I was fine. I no longer have doubts about my career choice. I no longer question whether not getting cast in a specific part is because I'm not meant to be an actor. I've gotten over the hump of being intimidated by how "hard" the industry is and how "difficult" the rejection is. I now know, that there is always an opportunity around the corner. Don't get me wrong, any actor will tell you that the rejection isn't easy. But you've got to have enough courage to move past it and trust in your own passion and talent. Feel the pinch, acknowledge the disappointment, and then move on.
Who knows why I didn't make it to the second round of casting. It could have been my age, my voice, or just my interpretation of the song. I'm not Dorothy, but I am "Clare Dubrey" in Queen Marie. Who knows what I will get to play next?
In the words of the amazing Richard Pinter of The Neighborhood Playhouse, "If you undervalue yourself, you will be undervalued". Well said Pinter, well said. Thanks CBC for the opportunity, and to the ladies with the Golden Tickets, break a leg!
xoxo Allie

As we walked out of Glen Gold studios and saw hundreds of potential Dorothy's waiting in line, I had a bit of an epiphany. There was something different about this open call. It wasn't just that the people working at the audition were friendlier and more helpful than I have ever experienced in such a high stress scenario as this, and it wasn't just that I had the benefit of being with a buddy who helped me keep my head on straight. The difference was this: the rejection was a brief little blow, and then I was fine. I no longer have doubts about my career choice. I no longer question whether not getting cast in a specific part is because I'm not meant to be an actor. I've gotten over the hump of being intimidated by how "hard" the industry is and how "difficult" the rejection is. I now know, that there is always an opportunity around the corner. Don't get me wrong, any actor will tell you that the rejection isn't easy. But you've got to have enough courage to move past it and trust in your own passion and talent. Feel the pinch, acknowledge the disappointment, and then move on.
Who knows why I didn't make it to the second round of casting. It could have been my age, my voice, or just my interpretation of the song. I'm not Dorothy, but I am "Clare Dubrey" in Queen Marie. Who knows what I will get to play next?
In the words of the amazing Richard Pinter of The Neighborhood Playhouse, "If you undervalue yourself, you will be undervalued". Well said Pinter, well said. Thanks CBC for the opportunity, and to the ladies with the Golden Tickets, break a leg!
xoxo Allie
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